- Bohannon, Rachael
- Chesapeake Bay, United States
- Aspiring writer/illustrator of books for children of all ages, friendly introductions to science through sailing and nature play.
Monday, June 22, 2009
Ceramics Cont'd
My final project consisted mainly of me having an excuse to make random body parts. Here is a mandible. With an 19th century, Oscar Wilde inspired throat covering attached. Please forgive the wonky angles of the photos, I'm behind in my posting and plan to make amends after catching up!
Creepy hand, since shattered, attached in an ill-conceived manner to the main project itself. Post will follow with those photos.
My pieces were laying on the second shelf up, Raphael had pieces on the shelves above that. I had cleared most of my body off of the kiln-shelf before snapping this picture, he had not - those are his exploded pieces. My prof. was aghast.
Judging from the background of this photograph, it is clear I had no intentions of sharing it, but here is the same iron, same stage (bone hard, ready to go off to the kiln for the second and final firing), but with comparison to the iron it mimics. You can tell I made mistakes, beginning with the misproportioned handle-bottom, I had to take out the ol' artistic license to fix proportions. I am unhappy with the height, as you can see, my piece has a much shorter nose than it should.
I have to agree with Jeannette, this will make a great flower pot! I have images of the iron after the glazing to be posted later.
Ceramics Summer 2009
Ceramics Summer Inro Class 2009
Measurements and drawings for scaling up an iron for the second project.
The assignment was to enlarge an object.
I enjoyed the drawing, but making the iron was much more of a learning experience than the creation of a piece with which I'd feel comfortable putting my name on without a disclaimer!
Here the iron is, I left the flat front (separate piece, separate drying time, smaller size than desired - oops!) of the iron without any glaze. There were no slips applied to either piece, the white color on the body of the iron is what the clear glaze looks like before firing.
I was told that they looked like they had been washed upon the beach and found. I was flattered by the comment, as it was my essential aesthetic goal!
Cervix and nipple patterns, no doubt. Merely concentric circles before the pink underglaze was applied! No clear, second-fire glaze. I had another that I made quite similarly, mostly regarding the pattern, but compressed it more after removing it from the mold so that it was simply more compact. I glazed it heavily, and I must say I prefer the one pictured above ten-fold!
Lovely experimentation. I played with a few underglazes, slips really, mostly achieving different colors from mixing them on my tiny palette. You can see the shiny parts are where the true "glaze" was applied. Glaze has silica in it that melts onto your ceramic piece and essentially becomes a thin layer of glass. To put it simply, this is the same thing that happens with colored enamel on metal.
When asked if I am going to take a course with glass, blowing molding, whatever, I always say no! It would be too easy to fall in love, I already have too many interests! Glaze and enamel will have to be enough glass for me, for now anyway. :)
Monday, June 15, 2009
New Place
Subscribe to:
Posts (Atom)